The kit is a Sonor ProLite with maple shells. The originals are very hard to get and costs thousands of dollars. Down here is a clone – a DIY Swedish copy of a machine made by Pearl in the 1980s called Syncussion. I use it a lot. I use a lot of effects: delays, distortion, compression, and they come from here. ![]() I effect a return from the house with an Eventide H9. I also trigger the bass drum. They’re really simple sounds – not too crazy, kinda generic. I use a Roland TM-2, from where I trigger some of my electronic sounds. It’s great because you can replace them if something breaks and they really feel like molded earpieces. They make all the way from two to eight drivers and everybody in the band is using those. It’s a new proprietary system and they sound awesome. ![]() I just got them new and I’m really excited about them because they’re actually not custom mold but they feel like it. I use these in-ear stage drivers from a German company. ![]() We also travel with our own desk, which makes soundcheck simpler. We don’t use any wedge monitors on stage, everything comes through this box into my in-ears. This is the Allen & Heath mixer, with which we communicate with the house. Maybe we’ll start with the far left and go to the right. We’re here in Poland with my band Nerve on a European tour and I’m here to give you a quick rundown of the equipment that I use on this tour.
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